Rejang Dance, Traditional Dance From Bali
Dancing is one of the ways in which humans undergo a ritual of trust. For Balinese people, especially Hindus, dance is not only an artistic activity but also a part of religious ceremonies. In that case, there are two interrelated cultural elements of art and religion. Rejang dance is one of the traditional dances that contain both elements.
Rejang dance was created in the 8th-14th century AD This dance is usually performed in temples, or in sanggah (sanctuary) during the ceremony, as a sense of dedication to the ancestors. This dance is performed by women during the ceremony of worship with the position of marching, circling and also holding hands. At the Pangider Buana Ceremony, the dancers will surround the offerings and also spin while following directions from Pradaksina. Rejang dancers will usually use traditional ceremonial clothes equipped with gold flowers on the head. This series is part of the meaning of devotion itself.
The choreography in Rejang Dance is very simple, unlike other dances that have a high level of complexity. In Rejang Dance is no more than 10 kinds of motion is presented, so that the movement is displayed only done repeatedly. This dance is more emphasis on the value of taste and appreciation very very deep.
At the end of the dance, usually will be followed by War Dance that uses various weapons such as Spear, Gada, Bajra, Bandrang, Cakra, and so forth. This War Dance tells the war of the Gods Nawasanga with the Giant when turning Mount Manara in seizing Tirta Amertha. Until now Rejang Dance is still widely displayed in Bali and in some places in Indonesia, especially when celebrating major ceremonies. This dance has undergone a functional shift, not only as a religious ritual but also as a means of entertainment.
Rejang dance was created in the 8th-14th century AD This dance is usually performed in temples, or in sanggah (sanctuary) during the ceremony, as a sense of dedication to the ancestors. This dance is performed by women during the ceremony of worship with the position of marching, circling and also holding hands. At the Pangider Buana Ceremony, the dancers will surround the offerings and also spin while following directions from Pradaksina. Rejang dancers will usually use traditional ceremonial clothes equipped with gold flowers on the head. This series is part of the meaning of devotion itself.
The choreography in Rejang Dance is very simple, unlike other dances that have a high level of complexity. In Rejang Dance is no more than 10 kinds of motion is presented, so that the movement is displayed only done repeatedly. This dance is more emphasis on the value of taste and appreciation very very deep.
At the end of the dance, usually will be followed by War Dance that uses various weapons such as Spear, Gada, Bajra, Bandrang, Cakra, and so forth. This War Dance tells the war of the Gods Nawasanga with the Giant when turning Mount Manara in seizing Tirta Amertha. Until now Rejang Dance is still widely displayed in Bali and in some places in Indonesia, especially when celebrating major ceremonies. This dance has undergone a functional shift, not only as a religious ritual but also as a means of entertainment.
